Processing and printing · Windows 10/11 x64 · version 1.3.6
A processing and printing station built for the volume of a professional lab. One operator runs the whole line while AI takes care of routine correction.
Every photo is analysed and corrected automatically. In daily work the operator simply confirms the result: orders take far less time, and the finished prints look better and stay consistent from the first photo to the last.
The steps shown are real intermediate data from the algorithm. The mask and boxes are visualised for this site. The test photo is AI-generated; the people are fictional.
The whole printer line is run from a single workstation. Fewer computers, less file shuffling, fewer mistakes.
| Printers per station | up to 8 |
|---|---|
| Direct print buttons | 1–4 on the work screen |
| Driver | the printer's standard Windows driver |
| Settings | per printer and paper |
One order is distributed automatically across up to 4 printers. Capacity grows up to four times, with no extra operator.
On large orders the printer never waits for the operator. The first six photos print while the next six are being reviewed, so processing and printing run side by side.
| Cycle | Printer | Operator |
|---|---|---|
| 1 | photos 1–6 | reviews 7–12 |
| 2 | photos 7–12 | reviews 13–18 |
| 3 | photos 13–18 | reviews 19–24 |
Sharpening goes exactly where the eye looks for it: eyes, lashes, hair, edges and textures. Skin stays natural and flat areas stay clean. The print looks crisper without looking processed.
One screen for the whole order, familiar to anyone who has worked in a photo lab. A new operator is productive from day one.
| Views | 6, split, single, whole order |
|---|---|
| Corrections | C, M, Y, D, white balance, highlights, shadows, contrast, sharpness, saturation |
| Input files | JPEG, PNG, TIFF, BMP, HEIC/HEIF, WebP, AVIF |
Fast, flexible ID photo work: mixed sizes and templates on one sheet, background replacement, chin and crown guides.
| Built-in standards | 35 for 17 countries, plus your own templates |
|---|---|
| Size | 10–150 mm, head height and top margin |
| Sheet | AUTO, 2, 4 or 8 positions; repeat or mixed mode |
| Gap | 0, 1, 3, 5, 8 mm |
| Finishing | cut marks, footer text |
| Output | print or file, 72–1200 DPI |
Real output from the program's algorithm, no manual corrections. Pick the background from a ready palette or any colour, per photo.
The sample portraits are AI-generated; the people are fictional.
Full control over the finished file, with the same AI quality as in print.
| Format | JPEG (with quality), PNG, TIFF |
|---|---|
| Colour profile | sRGB, Adobe RGB, installed ICC/ICM, keep original |
| Size | print crop or original; keep or limit the long edge in px; optional upscaling |
| Border | top, bottom, left, right in mm |
| File sharpening | off, low, standard, high |
| Names | prefix, suffix or both; a number only on a clash |
| Folder | a subfolder named after the order |
Your brand on every photo: the studio logo and the date or time the photo was taken, in print and in export.
| Modes | none, logo, date, logo and date |
|---|---|
| Logo | size, opacity, 9 positions |
| Date and time | format, font, colour, size, opacity, shadow, position |
| Date source | EXIF or file date |
An even white border on every printer and paper size. Set it once and it stays accurate on every order that follows.
| Profile | per printer and size |
|---|---|
| Sides | top, bottom, left, right |
| Range | 0–30 units, about 1 mm each |
| Step | 0.5 |
Predictable colour and density on every printer and paper, set once for consistent results.
| General | C, M, Y, D, saturation |
|---|---|
| By tone | C, M, Y in shadows, midtones and highlights |
| Range | −50 … +50 |
| Print sharpening | off, low, standard, high |
